STORIES THAT MATTER

INTERACTIVE JOURNALISM

PEABODY AWARDS

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The most salient and impactful works of data journalism fill a void and answer crucial questions that the government or private sector choose not to. Fewer still make the results of their investigations open to the public as a resource for all. But slim to none keep doing the work for seven years. That’s exactly what The Washington Post has done with Fatal Force.

Amid outrage over the 2014 police killing of Michael Brown in Ferguson, Mo., Washington Post reporter Wesley Lowery suggested that The Post count every fatal police shooting in America. This had never been done, but was possible because stories about individual shootings were available in real time on the internet. Seven years later, The Post has cataloged more than 6,735 fatal shootings by police. Because of The Post’s work, we now know that American police officers shoot and kill about 1,000 people a year and that more than a third of the unarmed people shot dead by police were Black. The Post has consistently, since 2014, made the data accessible through graphics that show with stunning clarity how victims are disproportionately Black and overwhelmingly young and male. The full database is also searchable and filterable, making it useful for researchers, journalists, and all concerned citizens. For creating a public service that uncovers the hidden toll of police violence, consistently updating it year after year and making it available and explorable through visualizations and an interactive database, Fatal Force wins a Peabody.

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Fatal Force:
The Washington Post Police Shootings Database
(2015)

Legacy Interactive Journalism

Primary Credit(s)/Lead Recipient(s):

Steven Rich, Julie Tate, David Fallis

Additional Production Credits & Partners:

The Washington Post

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STAY CONNECTED WITH FATAL FORCE: The Washington Post Police Shootings Database

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The New York Times’ work How Y’all, Youse and You Guys Talk, or, because of its sheer ubiquity, simply the “dialect quiz,” became a cultural touchstone nearly immediately after its launch in 2013. The work is both deceptively simple and technologically complex. After you answer a series of questions about the words you use, the interactive graphic returns a map that, more often than not, pinpoints where you live or grew up. The map makes a few guesses at individual cities and then radiates a heatmap out of the region it associates most with the language you use.

The map shows the multifaceted nature of American culture and identity through the use of language — organic regions that don’t neatly fit within state lines. What started as a personal side project of Josh Katz as an extension of his graduate school research was used by tens of millions of visitors over the span of a few weeks after publication, at times receiving so much traffic that the project’s server became overwhelmed. The project quickly became what was at the time the most-viewed piece of content in New York Times history. For its ability to tell you a story about yourself while also drawing a limitless set of maps of cultural geography that, nearly a decade after publication, still delights new readers today, How Y’all, Youse and You Guys Talk wins a Peabody.

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How Y’all, Youse, and You Guys Talk (2013)

Legacy Interactive Journalism

Primary Credit(s)/Lead Recipient(s):

Josh Katz, Wilson Andrews

Additional Production Credits & Partners:

The New York Times

Media

What people are saying

STAY CONNECTED WITH How Y’all, Youse and You Guys Talk: NY Times Dialect Quiz

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